Ghostface has never been a classy killer, with each embodiment being clumsy and half-cocked as they brutally slaughter their victims, but Radio Silence has outdone themselves this time by unleashing the most vicious masked murderer yet.
It barely pulls it off, with the final product being sweaty and nervous about its own premise, but it pulls together just enough to be a fun sci-fi premise that worked for me.
Its core concept revolves around family, both found and bound, and the resulting narrative spends most of its time in conversations and buildup that make the fights hit that much harder.
Ghostface has never been a classy killer, with each embodiment being clumsy and half-cocked as they brutally slaughter their victims, but Radio Silence has outdone themselves this time by unleashing the most vicious masked murderer yet.
I love some high art but also like when blissful schlock is just as advertised. Last year gave us two…
From the actors to the animators to the director…everyone just seems exhausted.
Even in the face of some questionable thematic choices, I stand firm in my excitement for this new era of Shyamalan.
Akira Kurosawa’s Ikiru is one of the best films ever made and a personal favorite of mine. Beyond the trappings…
An unnamed paradise, a mistake that leaves a body, a hedonistic Mia Goth; these are the components that make up…
Let’s have a nice, rational, calm discussion.
Something this self-aware has a delicate tightrope to walk but Cooper’s screenplay melds wonderfully with director Gerard Johnstone’s candy-flavored atmosphere, delivering a film that is completely in sync with its own memeability.
WRITE DRUNK; EDIT DRUNK 