Knock at the Cabin – Review

Even in the face of some questionable thematic choices, I stand firm in my excitement for this new era of Shyamalan.

Living – Review

Akira Kurosawa’s Ikiru is one of the best films ever made and a personal favorite of mine. Beyond the trappings…

Infinity Pool – Review

An unnamed paradise, a mistake that leaves a body, a hedonistic Mia Goth; these are the components that make up…

Let’s Talk About the 95th Academy Awards Nominees

Let’s have a nice, rational, calm discussion.

M3GAN – Review

Something this self-aware has a delicate tightrope to walk but Cooper’s screenplay melds wonderfully with director Gerard Johnstone’s candy-flavored atmosphere, delivering a film that is completely in sync with its own memeability.

The Pale Blue Eye – Review

We don’t get many films like this anymore outside of streamers and it’s a shame because Scott Cooper’s latest is his greatest.

Clint’s Top Ten Scores of 2022

I revel in my scores the whole time, revisiting my favorite tracks and moments as I dance through the insidious process of choosing only a few to highlight each year.

Clint’s Top Ten of 2022

Brash, beautiful, dumb, and at times depraved, the films of 2023 all came together as a magical set of experiences that I’ll always remember lovingly.

Babylon – Review

Imagine yourself at a party. It isn’t just any party; instead, a bacchanal that transports you from reality to a…

The Whale – Review

Aronofsky’s once again given us an obvious metaphor in a complicated package, asking the audience to look beyond what they might initially see and into the soul of it.